Giovanni De Poli

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Sergio CanazzaDept. Information Engineering, University of Padova (Italy)Email verificata su dei.unipd.it
Antonio RodàUniversity of PadovaEmail verificata su dei.unipd.it
Davide RocchessoFull Professor. Università degli Studi di PalermoEmail verificata su unipa.it
Antonio CamurriProfessor, University of Genoa, ItalyEmail verificata su unige.it
Marc LemanProfessor in musicology, Ghent UniversityEmail verificata su UGent.be
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyEmail verificata su kth.se
Augusto SartiFull Professor at Politecnico di MilanoEmail verificata su polimi.it
Gualtiero VolpeDIBRIS - University of GenovaEmail verificata su unige.it
Federico AvanziniFull Professor, University of MilanoEmail verificata su di.unimi.it
carlo drioliUniversità di UdineEmail verificata su uniud.it
Piero CosiISTC CNR - UOS Padova (Istituto di Scienze e Tecnologie della Cognizione - Consiglio Nazionale delleEmail verificata su pd.istc.cnr.it
Federico FontanaAssociate Professor, University of Udine - ItalyEmail verificata su uniud.it
Anders FribergKTH Royal Institute of TechnologyEmail verificata su kth.se
Nicola LaurentiDepartment of Information Engineering, University of Padua, ItalyEmail verificata su dei.unipd.it
Simon DixonCentre for Digital Music, Queen Mary University of LondonEmail verificata su qmul.ac.uk
Gerhard WidmerProfessor of Computer Science, Johannes Kepler University LinzEmail verificata su jku.at
Werner GoeblProfessor, Head of Department of Music Acoustics, mdw – University of Music and Performing ArtsEmail verificata su mdw.ac.at
Paolo TonellaUniversità della Svizzera italiana (USI)Email verificata su usi.ch
Mitsuyo HashidaDept. of Music & Managements, Soai University, JapanEmail verificata su soai.ac.jp
Roberto OboeUniversity of PadovaEmail verificata su unipd.it

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Giovanni De Poli

Full Professor of Computer Engineering, University of Padova

Email verificata su dei.unipd.it

Sound and Music Computing


Titolo Ordina per citazioni Ordina per anno Ordina per titolo	Citata da Citata da	Anno
DAFX-Digital audio effects U Zölzer, X Amatriain, D Arfib, J Bonada, G De Poli, P Dutilleux, ... John Wiley & Sons, 2002	866	2002
Communicating expressiveness and affect in multimodal interactive systems A Camurri, G Volpe, G De Poli, M Leman Ieee Multimedia 12 (1), 43-53, 2005	242	2005
Representations of Musical Signals G De Poli, A Piccialli, C Roads Cambridge, MA: MIT Press, 1991	158	1991
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	154	2000
Sonological models for timbre characterization G De Poli, P Prandoni Journal of New Music Research 26 (2), 170-197, 1997	136	1997
Pitch-synchronous granular synthesis G De Poli, A Piccialli Representations of musical signals, 187-219, 1991	119*	1991
Musical signal processing C Roads, A Piccialli, G De Poli, ST Pope Swets & Zeitlinger, 1997	116*	1997
Auditory modelling and self‐organizing neural networks for timbre classification P Cosi, G De Poli, G Lauzzana Journal of New Music Research 23 (1), 71-98, 1994	111	1994
Modeling and control of expressiveness in music performance S Canazza, G De Poli, C Drioli, A Roda, A Vidolin Proceedings of the IEEE 92 (4), 686-701, 2004	102	2004
Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance G De Poli, A Rodà, A Vidolin Journal of New Music Research 27 (3), 293-321, 1998	100	1998
Methodologies for expressiveness modelling of and for music performance G De Poli Journal of New Music Research 33 (3), 189-202, 2004	97	2004
Toward nonlinear wave digital filters A Sarti, G De Poli IEEE Transactions on Signal Processing 47 (6), 1654-1668, 1999	94	1999
A multi-layered conceptual framework for expressive gesture applications A Camurri, G De Poli, M Leman, G Volpe Proc. intl MOSART workshop, Barcelona, 2001	89	2001
Score-independent audio features for description of music expression L Mion, G De Poli IEEE Transactions on Audio, Speech, and Language Processing 16 (2), 458-466, 2008	84	2008
A tutorial on digital sound synthesis techniques G De Poli Computer Music Journal 7 (4), 8-26, 1983	80	1983
An abstract control space for communication of sensory expressive intentions in music performance S Canazza, G De Poli, A Rodà, A Vidolin Journal of New Music Research 32 (3), 281-294, 2003	79	2003
Sense in expressive music performance: Data acquisition, computational studies, and models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Sound to sense-sense to sound: A state of the art in sound and music …, 2008	77	2008
Audio Morphing Different Expressive Intentions for Multimedia Systems S Canazza, G De Poli, C Drioli, A Roda`, V Alvise IEEE Multimedia 7 (3), 79-83, 2000	74	2000
Algorithms and structures for synthesis using physical models G Borin, G De Poli, A Sarti Computer Music Journal 16 (4), 30-42, 1992	68	1992
The MEGA project: Analysis and synthesis of multisensory expressive gesture in performing art applications A Camurri, G De Poli, A Friberg, M Leman, G Volpe Journal of New Music Research 34 (1), 5-21, 2005	64	2005

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