Andrew McPherson

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Robert H JackBelaVerified email at qmul.ac.uk
Fabio MorrealeSenior Lecturer, University of AucklandVerified email at auckland.ac.nz
Youngmoo KimProfessor of Electrical and Computer Engineering, Drexel UniversityVerified email at drexel.edu
Victor ZappiNortheastern UniversityVerified email at northeastern.edu
Jacob HarrisonQueen Mary University of LondonVerified email at qmul.ac.uk
Giulio MoroPhD researcher, Queen Mary University of LondonVerified email at qmul.ac.uk
S. M. Astrid BinAbleton AG, DEVerified email at ableton.com
Giacomo LepriQueen Mary University of LondonVerified email at qmul.ac.uk
Tony StockmanQueen Mary University of LondonVerified email at qmul.ac.uk
Prof. Nick Bryan-KinnsQueen Mary University of LondonVerified email at acm.org
Laurel S. PardueAbleton AGVerified email at ableton.com
Jack ArmitageIntelligent Instruments Lab, Iceland University of the ArtsVerified email at lhi.is
steve benfordThe University of NottinghamVerified email at cs.nott.ac.uk
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityVerified email at mcgill.ca
Christian HeinrichsQueen Mary University of LondonVerified email at qmul.ac.uk
Mathieu BarthetSenior Lecturer in Digital Media, Queen Mary University of LondonVerified email at qmul.ac.uk
Tom MuddUniversity of EdinburghVerified email at ed.ac.uk
Paul StapletonProfessor of Music, Sonic Arts Research Centre, Queen's University BelfastVerified email at qub.ac.uk
Alan ChamberlainSenior Fellow - University of Nottingham, Computer ScienceVerified email at nottingham.ac.uk
Luca TurchetAssociate Professor, Dept. of Information Engineering and Computer Science, University of TrentoVerified email at unitn.it

Andrew McPherson

Chair in Design Engineering and Music, Imperial College London

Verified email at imperial.ac.uk - Homepage

Augmented Instruments Sound and Music Computing New Interfaces for Musical Expression NIME


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An environment for submillisecond-latency audio and sensor processing on BeagleBone Black A McPherson, V Zappi Audio Engineering Society Convention 138, 2015	156	2015
Action-sound latency: Are our tools fast enough? AP McPherson, RH Jack, G Moro New Interfaces for Musical Expression, 2016	87	2016
Dimensionality and Appropriation in Digital Musical Instrument Design V Zappi, AP McPherson Proc. NIME, 2014	83	2014
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano A McPherson Journal of New Music Research 39 (3), 189-202, 2010	83	2010
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, AP McPherson New Interfaces for Musical Expression, 2017	81	2017
Audio effects: theory, implementation and application JD Reiss, A McPherson CRC Press, 2014	69	2014
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. AP McPherson, YE Kim NIME, 217-222, 2010	64	2010
The Problem of the Second Performer: Building a Community Around an Augmented Piano A McPherson, Y Kim Computer Music Journal 36 (4), 10-27, 2012	62	2012
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	55	2017
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard A McPherson Proc. NIME, 2012	53	2012
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley NIME, 2018	45	2018
Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016	45	2016
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences L Turchet, A McPherson, C Fischione Proceedings of the Sound and Music Computing Conference, 498-505, 2016	41	2016
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019	40	2019
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the audio mostly 2016, 116-123, 2016	40	2016
Designing for exploratory play with a hackable digital musical instrument AP McPherson, A Chamberlain, A Hazzard, S McGrath, S Benford Proceedings of the 2016 ACM Conference on Designing Interactive Systems …, 2016	35	2016
Design and use of a hackable digital instrument V Zappi, A McPherson	35	2014
Bela: An embedded platform for low-latency feedback control of sound A McPherson The Journal of the Acoustical Society of America 141 (5), 3618-3618, 2017	34	2017
A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015	34	2015
Multidimensional gesture sensing at the piano keyboard AP McPherson, YE Kim Proceedings of the SIGCHI conference on human factors in computing systems …, 2011	34	2011

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