| Art & Activism in the Age of Globalization R De Roo, L DE CAUTER, K Vanhaesebrouck NAi publishers, 2011 | 63 | 2011 |
| The handbook of China's financial system M Amstad, G Sun, W Xiong The Handbook of China's Financial System, 2020 | 40 | 2020 |
| Towards a theatrical narratology K Vanhaesebrouck Image and narrative-Online Magazine of the Visual Narrative 9, 2004 | 23 | 2004 |
| Introduction: Libertine bodies or the politics of Baroque corporeality K Vanhaesebrouck, P Dehert Journal for Early Modern Cultural Studies 12 (2), 1-11, 2012 | 14 | 2012 |
| Theatre, performance studies and photography: a history of permanent contamination K Vanhaesebrouck Visual Studies 24 (2), 97-106, 2009 | 13 | 2009 |
| Imagineering, or what images do to people: Violence and the spectacular in the seventeenth-century dutch republic FW Korsten, C van der Haven, I Leemans, K Vanhaesebrouck, ... Cultural History 10 (1), 1-30, 2021 | 6 | 2021 |
| Klein lexicon van het managementjargon R Laermans, L De Cauter, K Vanhaesebrouck EPO; Antwerpen, 2016 | 6 | 2016 |
| Le mythe de l’authenticité: Lectures, interprétations, dramaturgies de Britannicus de Jean Racine en France (1669-2004) K Vanhaesebrouck Brill, 2009 | 6 | 2009 |
| Digital heritage and performance K Vanhaesebrouck Image & Narrative 17, 2007 | 6 | 2007 |
| Theater: een westerse geschiedenis T Crombez, J Koopmans, F Peeters, L Van den Dries, K Vanhaesebrouck LeuvenLannooCampus, 2015 | 5 | 2015 |
| Online Activism as a Participatory form of Storytelling M Deseriis, K Vanhaesebrouck, L De Cauter, R De Roo Art and Activism in the Age of Globalization, 250-263, 2011 | 5 | 2011 |
| As dead as a Dodo. Commitment beyond Post-Modernism. K Vanhaesebrouck Art and Activism in the Age of Globalization, 23-27, 2011 | 5 | 2011 |
| Imagineering violence: the spectacle of violence in the early modern period K Vanhaesebrouck, K Van der Haven Journal of the Northern Renaissance, 2020 | 4 | 2020 |
| L’exception flamande: réalité ou mythe K Vanhaesebrouck Théâtre/Public, 6-9, 2014 | 4 | 2014 |
| The hybridization of Flemish identity: the Flemish national heritage on the contemporary stage K Vanhaesebrouck Contemporary Theatre Review 20 (4), 465-474, 2010 | 4 | 2010 |
| Lichamelijkheid en emoties op het vroegmoderne podium-De martelaar als theatraal effect V Karel Tijdschrift voor Geschiedenis 126 (4), 516-529, 2013 | 3 | 2013 |
| Tragédie classique, souveraineté et droit: le cas de Britannicus (1669) de Jean Racine K Vanhaesebrouck The Locus of tragedy, 81-102, 2008 | 3 | 2008 |
| La contraine racinienne K Vanhaesebrouck Image & Narrative 10, 325-335, 2006 | 3 | 2006 |
| The hurt (ful) body: Performing and beholding pain, 1600–1800 T Macsotay, C Van der Haven, K Vanhaesebrouck Manchester University Press, 2017 | 2 | 2017 |
| Reconsidering Metatheatricality: Towards a Baroque Understanding of Postdramatic Theatre K Vanhaesebrouck Neo-Baroques, 48-75, 2017 | 2 | 2017 |
Thomas Crombezpostdoctoraal onderzoeker, Universiteit AntwerpenEmail verificata su uantwerpen.be
