Barbara Miceli
Barbara Miceli
Assistant Professor in American Studies, University of Gdansk
Verified email at ug.edu.pl
Title
Cited by
Cited by
Year
Religion, Gender Inequality, and Surrogate Motherhood in Margaret Atwood’s “The Handmaid’s Tale”
B Miceli
CoSMo| Comparative Studies in Modernism, 2018
42018
“My yesterdays are disappearing, and my tomorrows are uncertain”: Alzheimer’s Disease and the Impossible Survivor Narrative in Lisa Genova’s Still Alice
B Miceli
Altre Modernità 24, 66-78, 2020
2020
Infanticide and the Symbolism of Evil in Joyce Carol Oates's Dear Husband
B Miceli
Anglica, An International Journal of English Studies 29 (1), 75-85, 2020
2020
Metoda analizy wizualnej dzieł Brunona Schulza w pracach Paola Caneppelego La repubblica dei sogni i I capelli della cometa
B Miceli
Schulz/Forum 15, 241-247, 2020
2020
Joyce Carol Oates: Tradurre la muta sofferenza intorno a noi
B Miceli
L'Indice dei libri del mese, 17, 2020
2020
A ‘compendiary’ representation of Marylin Monroe’s Self in Black Dahlia & White Rose by Joyce Carol Oates
B Miceli
Identity navigation: rethinking languages, literatures and cultures between …, 2020
2020
Margaret Atwood’s The Heart goes Last: Panopticism, Discipline, Society, and Ustopia
B Miceli
Metacritic Journal for Comparative Studies and Theory 5 (2), 79-90, 2019
2019
Peace, Freedom and Cooperation through the Atlantic Crossing in Colum McCann's TransAtlantic
CIRCOLAZIONE DI PERSONE E DI IDEE Integrazione ed esclusione tra Europa e …, 2019
2019
“A cancer on the planet”: Mountaintop Removal and Environmental Crime in Jonathan Franzen’s Freedom”
B Miceli
Forum Filologiczne Ateneum 1 (7), 343-356, 2019
2019
L’eterno ‘other’: clash culturale, esilio e identità frammentata in tre opere di J.P. Donleavy
B Miceli
Alter/Ego: Confronti e scontri nella definizione dell’altro e nella …, 2019
2019
A.M. Homes's The Safety of Objects: People and Feelings as Objects in the American Suburban Home
B Miceli
Journal of History and Cultures, 71-81, 2019
2019
Pathological Narcissism in a (Neo)Gothic Setting: Joyce Carol Oates's 'Evil Eye'
B Miceli
Echinox Journal 35, 87-100, 2018
2018
The Handmaid’s Tale e The Heart Goes Last di Margaret Atwood. Due città distopiche a confronto
B Miceli
América Crítica 1 (2), 33-48, 2018
2018
Her pragmatic plan of survival: Love, Marriage and Motherhood as Economic Strategies in A Garden of Earthly Delights by Joyce Carol Oates’
B Miceli
Rappresentazioni artistiche e sociali della povertà, 271-287, 2017
2017
Blonde by Joyce Carol Oates: A Reconstruction of the Self Beyond Myth
B Miceli
Ecritures dans les Amériques au féminin, 2017
2017
Il Soft Power: Storytelling Politico e Letteratura
B Miceli
La dottrina Obama: La politica estera americana dalla crisi economica alla …, 2017
2017
A Creature of Another’s Will: il conflitto con il sé nei rapporti di potere fra uomo e donna in Blonde di Joyce Carol Oates
B Miceli
Conflitti: Antichità, Archeologia, Storia, Linguistica, Letteratura 1, 493-504, 2017
2017
How to Turn a Forgotten Figure of American History into a National and Gender Emblem: Joyce Carol Oates’s Treatment of Mary Jo Kopechne in Black Water
B Miceli
Caietele Echinox, 240-254, 2017
2017
THE HOUSE IS A BATTLEFIELD NOW
B Miceli
Performing Gender and Violence in Contemporary Transnational Contexts, 77, 2016
2016
'This house is a battlefield now: War of the Sexes and Domestic Violence in Van Badham’s Kitchen and Warren Adler’s The War of the Roses’
B Miceli
Performing Gender & Violence in Contemporary Transnational Contexts, 77-99, 2016
2016
The system can't perform the operation now. Try again later.
Articles 1–20