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Alessandro Ansani
Alessandro Ansani
University of Jyväskylä, Finland - Centre of Excellence in Music, Mind, Body and Brain
Email verificata su jyu.fi - Home page
Titolo
Citata da
Citata da
Anno
The impact of facemasks on emotion recognition, trust attribution and re-identification
M Marini, A Ansani, F Paglieri, F Caruana, M Viola
Scientific Reports 11 (1), 5577, 2021
2192021
How soundtracks shape what we see: Analyzing the influence of music on visual scenes through self-assessment, eye tracking, and pupillometry
A Ansani, M Marini, F D’Errico, I Poggi
Frontiers in Psychology 11, 556697, 2020
272020
Attraction comes from many sources: Attentional and comparative processes in decoy effects
M Marini, A Ansani, F Paglieri
Judgment and decision making 15 (5), 704-726, 2020
192020
Trusting COVID-19 vaccines as individual and social goal
R Falcone, A Ansani, E Colì, M Marini, A Sapienza, C Castelfranchi, ...
Scientific reports 12 (1), 9470, 2022
152022
‘You will be judged by the music I hear’: a study on the influence of music on moral judgement
A Ansani, F D’Errico, I Poggi
Web Intelligence 17 (1), 53-62, 2019
132019
Phonetic and functional features of pauses, and concurrent gestures, in tourist guides’ speech
V Cataldo, L Schettino, R Savy, I Poggi, A Origlia, A Ansani, I Sessa, ...
Audio Archives at the Crossroads of Speech Sciences, Digital Humanities and …, 2019
102019
Analyzing the perceived utility of COVID-19 countermeasures: the role of pronominalization, moral foundations, moral disengagement, fake news embracing, and health anxiety
A Ansani, M Marini, C Cecconi, D Dragoni, E Rinallo, I Poggi, L Mallia
Psychological Reports 125 (5), 2591-2622, 2022
92022
Forte, piano, crescendo, diminuendo: Gestures of intensity in orchestra and choir conduction
I Poggi, A Ansani
Proceedings of the 4th European and 7th Nordic Symposium on Multimodal …, 2017
92017
The conductor’s intensity gestures
I Poggi, F D’Errico, A Ansani
Psychology of music 49 (6), 1478-1497, 2021
82021
Human, all too human: Towards a disfluent virtual tourist guide
A Origlia, R Savy, V Cataldo, L Schettino, A Ansani, I Sessa, A Chiera, ...
Adjunct Publication of the 27th Conference on User Modeling, Adaptation and …, 2019
82019
Facial impression of trustworthiness biases statement credibility unless suppressed by facemask
M Marini, F Paglieri, A Ansani, F Caruana, M Viola
Current Psychology, 1-11, 2022
62022
The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes
I Poggi, L Ranieri, Y Leone, A Ansani
Multimodal Technologies and Interaction 4 (2), 20, 2020
62020
Music and time perception in audiovisuals: Arousing soundtracks lead to time overestimation no matter their emotional valence
A Ansani, M Marini, L Mallia, I Poggi
Multimodal Technologies and Interaction 5 (11), 68, 2021
52021
“It Sounds Wrong…” Does Music Affect Moral Judgement?
A Ansani, F D’Errico, I Poggi
Computational Science and Its Applications–ICCSA 2017: 17th International …, 2017
52017
The lexicon of the Conductor's gaze
I Poggi, A Ansani
Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018
42018
Sighs in everyday and political communication
I Poggi, A Ansani, C Cecconi
Workshop on Laughter - Paris, 2018
4*2018
Recognition memory in movie scenes: the soundtrack induces mood-coherent bias, but not through mood induction
A Ansani, M Marini, I Poggi, L Mallia
Journal of Cognitive Psychology 35 (1), 59-75, 2023
32023
Ethos Theory of Music: Toward An Empirical Confirmation Through Moral Foundations Theory
A Ansani, L Giombini, I Poggi, JO Young
Empirical Studies of the Arts, 02762374231180393, 2023
22023
Vagueness as an implicit-encoding persuasive strategy: an experimental approach
G Mannaioli, A Ansani, C Coppola, E Lombardi Vallauri
Cognitive Processing, 1-23, 2024
12024
Prokofiev was (almost) right: A cross-cultural investigation of auditory-conceptual associations in Peter and the Wolf
N Di Stefano, A Ansani, A Schiavio, C Spence
Psychonomic bulletin & review, 1-10, 2024
12024
Il sistema al momento non può eseguire l'operazione. Riprova più tardi.
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