| A critical (and interdisciplinary) survey of popular music genre theories M Merlini Interdisciplinary Studies in Musicology 20, 79-94, 2020 | 5 | 2020 |
| Le ceneri del prog: quel che resta di un genere della popular music M Merlini LE SFERE. NUOVA SERIE 4, 2021 | 4 | 2021 |
| Of Flesh and Steel: Computational Creativity in Music and the Body Issue M Merlini, SM Nicoletti INSAM: Journal of Contemporary Music, Art and Technology 4, 24-42, 2020 | 3 | 2020 |
| The Eclectic Case of Japanese Video Game Music M Merlini Journal of Sound and Music in Games 4 (3), 30-52, 2023 | 2 | 2023 |
| A Mellotron-Shaped Grave: Deconstructing the Death of Progressive Rock M Merlini Transposition. Musique et Sciences Sociales, 2022 | 2 | 2022 |
| The Second Death of Concept Albums World-Building and Unification Strategies in the Age of Streaming M Merlini Interdisciplinary Studies in Musicology, 57-73, 2021 | 2 | 2021 |
| Lost in the Stream: Concept Album in the Age of Streaming M Merlini IASPM Norden Conference 2020: Music in the Age of Streaming - Nordic …, 2020 | 2 | 2020 |
| Dr. Prog and Mr. Post: Or, A (Draft) Theory of (Postmodern) Music Genres M Merlini ICTM/SMI Postgraduate Conference 2020, 2020 | 2* | 2020 |
| Is This Prog? Defining post-progressive as a creative attitude M Merlini The 4th Biennial International Conference of the Progect Network for the …, 0 | 2 | |
| More 1980s than the 1980s: Hauntological and Hyperreal Meanings of Synthwave Soundtracks M Merlini Sound Stage Screen 3 (1), 5-33, 2023 | | 2023 |
| A second of structured chaos: Kosmos/chaos dialectic in Meshuggah’s Catch 33 M Merlini Metal Music Studies 9 (3), 311-329, 2023 | | 2023 |
| First Playable Research: Per una ludomusicologia italiana M Merlini | | 2023 |
| A Digital Touch: The» Body Issue «in Computational Creativity M Merlini, SM Nicoletti Körper (-lichkeit) in der Musik des 20. und 21. Jahrhunderts: Konturen eines …, 2023 | | 2023 |
| Languages of Irony, Blasphemy and Italianness Analysing Ghost’s Papaganda Mockumentary M Merlini | | 2023 |
| The Birth and Deaths of the Concept Album From Sinatra to Spotify M Merlini | | 2023 |
| Voidgaze and Phantom Genres Functions and Dysfunctions of Music Genres on Streaming Platforms M Merlini | | 2023 |
| Musica per l’anima, per il corpo, per i bulloni: pratiche musicali tra 4E e 4I M MERLINI | | 2022 |
| Specchi di carne e cesellatura musicale: Limiti della creatività computazionale tra corpo e coscienza M Merlini, SM Nicoletti ODRADEK 8 (1), 141-177, 2022 | | 2022 |
| More 1980s than the 1980s: Functions and Connotations of Synthwave Soundtracks M Merlini | | 2022 |
| Eclectic Tennō: Japanese Video Game Soundtracks as Agents of Postmodernity M Merlini | | 2021 |
Stefano Maria NicolettiPhD Candidate in Computer Science, University of TwenteVerified email at utwente.nl
