Davide Rocchesso

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Federico AvanziniFull Professor, University of MilanoVerified email at di.unimi.it
Stefano Delle MonacheIrcam STSM Lab | Perception and Sound Design groupVerified email at ircam.fr
Federico FontanaAssociate Professor, University of Udine - ItalyVerified email at uniud.it
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaVerified email at dei.unipd.it
Guillaume LemaitreInstitut de Recherche et de Création Acoustique MusiqueVerified email at ircam.fr
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
Stefano PapettiZurich University of the ArtsVerified email at zhdk.ch
Julius SmithProfessor Emeritus of Music and b/c EE, Stanford UniversityVerified email at stanford.edu
Stefano BaldanResearch Assistant, IUAV University of VeniceVerified email at iuav.it
carlo drioliUniversità di UdineVerified email at uniud.it
Xavier SerraDepartment of Information and Communication Technologies, Universitat Pompeu Fabra (UPF), BarcelonaVerified email at upf.edu
Patrick SusiniSTMS (Ircam, CNRS, SU)Verified email at ircam.fr
Frank PollickProfessor of Psychology, University of GlasgowVerified email at glasgow.ac.uk
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityVerified email at create.aau.dk
Davide Andrea MauroKreativInstitut.OWLVerified email at uni-paderborn.de
Nicola BernardiniProfessor, Scuola di Musica Elettronica, Conservatorio "S.Cecilia" RomaVerified email at conservatoriosantacecilia.it
Mikael FernstromLecturer (emeritus) in Interaction Design, University of LimerickVerified email at ul.ie
Karmen FraninovicZurich University of the ArtsVerified email at zhdk.ch
Amalia de GötzenAssociate professor Aalborg University CopenhagenVerified email at create.aau.dk
Aina PuceEleanor Cox Riggs Professor, Psychological and Brain Sciences, Indiana UniversityVerified email at indiana.edu

Davide Rocchesso

Professor. Università degli Studi di Milano

Verified email at unimi.it - Homepage

Sound and Music Computing Interaction Design Sonic Interaction Design Sound Synthesis


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DAFX-Digital audio effects U Zölzer, X Amatriain, D Arfib, J Bonada, G De Poli, P Dutilleux, ... John Wiley & Sons, 2002	902	2002
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003	333	2003
Circulant and elliptic feedback delay networks for artificial reverberation D Rocchesso, JO Smith IEEE Transactions on Speech and Audio Processing 5 (1), 51-63, 1997	189	1997
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	164	2000
Continuous sonic feedback from a rolling ball M Rath, D Rocchesso IEEE MultiMedia 12 (2), 60-69, 2005	163	2005
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	132	2009
Physical modeling of membranes for percussion instruments F Fontana, D Rocchesso Acta Acustica united with Acustica 84 (3), 529-542, 1998	102	1998
Modeling collision sounds: Non-linear contact force F Avanzini, D Rocchesso Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), 61-66, 2001	98	2001
Interactive simulation of rigid body interaction with friction-induced sound generation F Avanzini, S Serafin, D Rocchesso IEEE transactions on speech and audio processing 13 (5), 1073-1081, 2005	97	2005
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	91	2011
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008	90	2008
A fast Mellin and scale transform A De Sena, D Rocchesso EURASIP Journal on Advances in Signal Processing 2007, 1-9, 2007	90	2007
A toolkit for explorations in sonic interaction design SD Monache, P Polotti, D Rocchesso Proceedings of the 5th audio mostly conference: a conference on interaction …, 2010	87	2010
On the effectiveness of vocal imitations and verbal descriptions of sounds G Lemaitre, D Rocchesso The Journal of the Acoustical Society of America 135 (2), 862-873, 2014	84	2014
Controlling material properties in physical models of sounding objects F Avanzini, D Rocchesso ICMC, 2001	83	2001
Signal-theoretic characterization of waveguide mesh geometries for models of two-dimensional wave propagation in elastic media F Fontana, D Rocchesso IEEE Transactions on Speech and Audio Processing 9 (2), 152-161, 2001	81	2001
Designing continuous sonic interaction D Rocchesso, P Polotti, S Delle Monache International Journal of Design 3 (3), 2009	76	2009
Introduction to sound processing D Rocchesso Mondo estremo, 2003	71	2003
Physically informed signal processing methods for piano sound synthesis: a research overview B Bank, F Avanzini, G Borin, G De Poli, F Fontana, D Rocchesso EURASIP journal on advances in signal processing 2003, 1-12, 2003	67	2003
Sound texture modeling: A survey G Strobl, G Eckel, D Rocchesso Sound Music Computing, 2006	65	2006

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