Emilio Audissino
Emilio Audissino
Verified email at soton.ac.uk - Homepage
TitleCited byYear
John Williams's Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
E Audissino
University of Wisconsin Pres, 2014
542014
Overruling a Romantic Prejudice: Film Music in Concert Programs
E Audissino
Film in Concert: Film Scores and their Relation to Classical Concert Music …, 2014
72014
John Williamss Film Music: Jaws
E Audissino
Star Wars, Raiders of the Lost Ark, and, 2014
52014
Neoclassical Hollywood Music. John Williams e il recupero dello stile classico di Hollywood
E Audissino
52012
Dubbing as a formal interference: reflections and examples
E Audissino
Media and Translation: An Interdisciplinary Approach, 97-118, 2014
42014
Italian" Doppiaggio" Dubbing in Italy: Some Notes and (In) famous Examples
E Audissino
Italian Americana 30 (1), 22-32, 2012
42012
Film/music analysis: A film studies approach
E Audissino
Springer, 2017
32017
Film music and multimedia: An immersive experience and a throwback to the past
E Audissino
Schüren Verlag, 2014
32014
A Gestalt Approach to the Analysis of Music in Films
E Audissino
Musicology Research 2 (Spring), 69-88, 2017
22017
Bicycles, airplanes and Peter Pans: flying scenes in Steven Spielberg's films
E Audissino
CINEJ Cinema Journal 3 (2), 104-120, 2014
22014
John Williams, The Boston Pops Orchestra and film music in concert
E Audissino
22010
Introduction: Who Is Entitled to Study Film Music?
E Audissino
Film/Music Analysis, 1-13, 2017
12017
Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism
E Audissino
Film/Music Analysis, 95-124, 2017
12017
Golden Age 2.0: John Williams and the revival of the symphonic film score
E Audissino
Film in Concert. Film Scores and their Relation to Classical Concert Music …, 2014
12014
The aesthetic cost of marketing. The economical motivation of pop songs in films
E Audissino
L'Harmattan 3, 41-46, 2013
12013
L'infanzia nel cinema di Steven Spielberg [Childhood in Steven Spielberg's cinema]
E Audissino
Ennepilibri, 2010
12010
A Metalinguistic Play with Genre and Gender Conventions
E Audissino
Gender and Contemporary Horror in Film, 219, 2019
2019
The Final Girls (2015) as a Video Essay: A Metalinguistic Play with Genre and Gender Conventions'
E Audissino
Gender and Contemporary Horror in Film (Emerald Studies in Popular Culture …, 2019
2019
“Commutation Tricks” and “Forced Marriages.” Videographic Manipulation as a Tool for the Analysis of Music in Films
E Audissino
Cinergie–Il Cinema e le altre Arti 7 (13), 37-46, 2018
2018
THE MUSIC ON THE RADIO 1924-1954: HISTORY, EFFECTS, CONTEXTS IN EUROPEAN PERSPECTIVE
E Audissino
JOURNAL OF ITALIAN CINEMA AND MEDIA STUDIES 6 (3), 432-433, 2018
2018
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