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Filippo Bonini Baraldi
Filippo Bonini Baraldi
Instituto de Etnomusicologia (INET-md), Universidade Nova de Lisboa
Email verificata su fcsh.unl.pt - Home page
Titolo
Citata da
Citata da
Anno
Communicating expressive intentions with a single piano note
FB Baraldi, GD Poli, A Rodá
Journal of New Music Research 35 (3), 197-210, 2006
442006
Tsiganes, musique et empathie
FB Baraldi
Editions de la Maison des Sciences de l'Homme, 2013
35*2013
All the pain and joy of the world in a single melody: A Transylvanian case study on musical emotion
FB Baraldi
Music Perception 26 (3), 257-261, 2009
312009
Measuring aksak rhythm and synchronization in Transylvanian village music by using motion capture
F Bonini-Baraldi, E Bigand, T Pozzo
Empirical Musicology Review 10 (4), 265-291, 2016
20*2016
L'émotion en partage: approche anthropologique d'une musique tsigane de Roumanie
F Bonini Baraldi
Paris 10, 2010
16*2010
The Gypsies of Ceuaş, Romania: An ‘emotional minority’
F Bonini Baraldi
The human world and musical diversity: proceedings from the Fourth Meeting …, 2006
132006
L'expérience de la musique instrumentale dans les veillées funéraires des Tsiganes de Transylvanie
F Bonini Baraldi
Frontières 20 (2), 67-70, 2008
122008
La douceur: critère d’appréciation musicale chez les Tsiganes de Transylvanie
F Bonini Baraldi
Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2015
82015
Jouer aux noces, puis entre soi. Le cycle de l’émotion chez les musiciens tsiganes de Transylvanie
FB Baraldi
Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2010
82010
‘C’était toi ma pitié’Le discours pleuré dans les veillées funéraires des tsiganes de Transylvanie
F Bonini Baraldi
La voix actée. Pour une nouvelle éthnopoétique, 211-28, 2010
8*2010
Embodied Interaction with "Sonic Agents": An Anthropological Perspective
FB Baraldi
The Routledge Companion to Embodied Music Interaction, 207-214, 2017
62017
Como estudar a emoção musical? Propostas metodológicas a partir de pesquisa junto aos ciganos da Transilvânia (Romênia)
FB Baraldi
Sociologia & Antropologia 6, 699-734, 2016
52016
Moving in Time
MEP Davies, M Fuentes, J Fonseca, L Aly, FB Baraldi, M Jerónimo
Proceedings of the 21st International Society for Music Information …, 2020
42020
The Watch for the Dead and the Experience of milă: Between the Representation of Sorrow and its Effect
BB Filippo
Audiovisual Media and Identity in Southeastern Europe, Cambridge, Cambridge …, 2011
42011
Plan séquence d'une mort criée
F Bonini Baraldi
Écouter le monde/Around music, 2005
42005
Inveja e corpo fechado no Maracatu de baque solto Pernambucano
F Bonini Baraldi
Sociologia & Antropologia 11 (3), 995-1023, 2021
3*2021
Aksak patterns and entrained interaction in Transylvanian village music
M Clayton
Empirical Musicology Review 10 (4), 292-301, 2016
22016
Between Film and the World: Roma Ways of Seeing and Perceiving Persons
F Bonini Baraldi
Visual Anthropology Review 36 (2), 361-378, 2020
12020
ENVY AND THE CLOSED BODY IN MARACATU DE BAQUE SOLTO (PERNAMBUCO, BRAZIL)
FB Baraldi
Sociologia & Antropologia 11, 995-1023, 2022
2022
Roma Music and Emotion
FB Baraldi
Oxford University Press, 2021
2021
Il sistema al momento non può eseguire l'operazione. Riprova più tardi.
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