| Communicating expressive intentions with a single piano note FB Baraldi, GD Poli, A Rodá Journal of New Music Research 35 (3), 197-210, 2006 | 44 | 2006 |
| Tsiganes, musique et empathie FB Baraldi Editions de la Maison des Sciences de l'Homme, 2013 | 35* | 2013 |
| All the pain and joy of the world in a single melody: A Transylvanian case study on musical emotion FB Baraldi Music Perception 26 (3), 257-261, 2009 | 31 | 2009 |
| Measuring aksak rhythm and synchronization in Transylvanian village music by using motion capture F Bonini-Baraldi, E Bigand, T Pozzo Empirical Musicology Review 10 (4), 265-291, 2016 | 20* | 2016 |
| L'émotion en partage: approche anthropologique d'une musique tsigane de Roumanie F Bonini Baraldi Paris 10, 2010 | 16* | 2010 |
| The Gypsies of Ceuaş, Romania: An ‘emotional minority’ F Bonini Baraldi The human world and musical diversity: proceedings from the Fourth Meeting …, 2006 | 13 | 2006 |
| L'expérience de la musique instrumentale dans les veillées funéraires des Tsiganes de Transylvanie F Bonini Baraldi Frontières 20 (2), 67-70, 2008 | 12 | 2008 |
| La douceur: critère d’appréciation musicale chez les Tsiganes de Transylvanie F Bonini Baraldi Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2015 | 8 | 2015 |
| Jouer aux noces, puis entre soi. Le cycle de l’émotion chez les musiciens tsiganes de Transylvanie FB Baraldi Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2010 | 8 | 2010 |
| ‘C’était toi ma pitié’Le discours pleuré dans les veillées funéraires des tsiganes de Transylvanie F Bonini Baraldi La voix actée. Pour une nouvelle éthnopoétique, 211-28, 2010 | 8* | 2010 |
| Embodied Interaction with "Sonic Agents": An Anthropological Perspective FB Baraldi The Routledge Companion to Embodied Music Interaction, 207-214, 2017 | 6 | 2017 |
| Como estudar a emoção musical? Propostas metodológicas a partir de pesquisa junto aos ciganos da Transilvânia (Romênia) FB Baraldi Sociologia & Antropologia 6, 699-734, 2016 | 5 | 2016 |
| Moving in Time MEP Davies, M Fuentes, J Fonseca, L Aly, FB Baraldi, M Jerónimo Proceedings of the 21st International Society for Music Information …, 2020 | 4 | 2020 |
| The Watch for the Dead and the Experience of milă: Between the Representation of Sorrow and its Effect BB Filippo Audiovisual Media and Identity in Southeastern Europe, Cambridge, Cambridge …, 2011 | 4 | 2011 |
| Plan séquence d'une mort criée F Bonini Baraldi Écouter le monde/Around music, 2005 | 4 | 2005 |
| Inveja e corpo fechado no Maracatu de baque solto Pernambucano F Bonini Baraldi Sociologia & Antropologia 11 (3), 995-1023, 2021 | 3* | 2021 |
| Aksak patterns and entrained interaction in Transylvanian village music M Clayton Empirical Musicology Review 10 (4), 292-301, 2016 | 2 | 2016 |
| Between Film and the World: Roma Ways of Seeing and Perceiving Persons F Bonini Baraldi Visual Anthropology Review 36 (2), 361-378, 2020 | 1 | 2020 |
| ENVY AND THE CLOSED BODY IN MARACATU DE BAQUE SOLTO (PERNAMBUCO, BRAZIL) FB Baraldi Sociologia & Antropologia 11, 995-1023, 2022 | | 2022 |
| Roma Music and Emotion FB Baraldi Oxford University Press, 2021 | | 2021 |
Antonio RodàUniversity of PadovaEmail verificata su dei.unipd.it
