| Tactical urbanism: The new vernacular of the creative city O Mould Geography compass 8 (8), 529-539, 2014 | 325 | 2014 |
| Against creativity O Mould Verso Books, 2018 | 278 | 2018 |
| Urban subversion and the creative city O Mould Routledge, 2015 | 183 | 2015 |
| Parkour, the city, the event O Mould Environment and planning D: society and space 27 (4), 738-750, 2009 | 174 | 2009 |
| Beyond urban subcultures: urban subversions as rhizomatic social formations M Daskalaki, O Mould International journal of urban and regional research 37 (1), 1-18, 2013 | 103 | 2013 |
| Invisible creativity? Highlighting the hidden impact of freelancing in London's creative industries O Mould, T Vorley, K Liu European Planning Studies 22 (12), 2436-2455, 2014 | 91 | 2014 |
| The weakest link: Creative industries, flagship cultural projects and regeneration R Comunian, O Mould City, Culture and Society 5 (2), 65-74, 2014 | 79 | 2014 |
| The Calais Jungle: A slum of London’s making O Mould City 21 (3-4), 388-404, 2017 | 54 | 2017 |
| The not-so-concrete Jungle: Material precarity in the Calais refugee camp O Mould cultural geographies 25 (3), 393-409, 2018 | 53 | 2018 |
| Brutalism redux: Relational monumentality and the urban politics of brutalist architecture O Mould Antipode 49 (3), 701-720, 2017 | 52 | 2017 |
| Hung, drawn and cultural quartered: Rethinking cultural quarter development policy in the UK O Mould, R Comunian Creative Regions in Europe, 42-55, 2017 | 49 | 2017 |
| My networking is not working! Conceptualizing the latent and dysfunctional dimensions of the network paradigm T Vorley, O Mould, R Courtney Economic geography 88 (1), 77-96, 2012 | 42 | 2012 |
| Realizing capabilities—Academic creativity and the creative industries O Mould, T Vorley, S Roodhouse Creative Industries Journal 1 (2), 137-150, 2009 | 40 | 2009 |
| A limitless urban theory? A response to Scott and Storper's ‘The nature of cities: The scope and limits of urban theory' O Mould International Journal of Urban and Regional Research 40 (1), 157-163, 2016 | 35 | 2016 |
| Lights, Camera, butWhere’s the Action? Actor-Network Theory and the Production of Robert Connolly’s Three Dollars O Mould Production studies, 211-221, 2009 | 35 | 2009 |
| Introduction to geographical economies of creativity, enterprise and the creative industries T Vorley, O Mould, HL Smith Geografiska Annaler: Series B, Human Geography 90 (2), 101-106, 2008 | 35 | 2008 |
| Solidarity, not charity: Learning the lessons of the Covid‐19 pandemic to reconceptualise the radicality of mutual aid O Mould, J Cole, A Badger, P Brown Transactions of the Institute of British Geographers, 2022 | 34 | 2022 |
| Knowledge networks of ‘buzz’in London's advertising industry: a social network analysis approach O Mould, S Joel Area 42 (3), 281-292, 2010 | 33 | 2010 |
| Contra la creatividad: Capitalismo y domesticación del talento O Mould Editorial Alfabeto, 2019 | 26 | 2019 |
| Mediating the city: The role of planned media cities in the geographies of creative industry activity O Mould Hub Cities in the Knowledge Economy, 163-178, 2016 | 22 | 2016 |
Tim VorleyOxford Brookes Business SchoolVerified email at brookes.ac.uk
