Werner Goebl

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	Tutte	Dal 2018
Citazioni	3314	1294
Indice H	30	20
i10-index	61	37

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46 articoli

3 articoli

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Gerhard WidmerProfessor of Computer Science, Johannes Kepler University LinzEmail verificata su jku.at
Simon DixonCentre for Digital Music, Queen Mary University of LondonEmail verificata su qmul.ac.uk
Laura BishopResearcher, RITMO, University of OsloEmail verificata su imv.uio.no
Caroline PalmerProfessor, Psychology, McGill UniversityEmail verificata su mcgill.ca
Alex Hofmann, PhDProfessor in Music Acoustics, Dept. of Music Acoustics, Univ. of Music and Performing Arts ViennaEmail verificata su mdw.ac.at
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyEmail verificata su kth.se
David M. WeiglDepartment of Music Acoustics - Wiener Klangstil, University of Music and Performing Arts ViennaEmail verificata su mdw.ac.at
Maarten GrachtenIndependent Machine Learning ConsultantEmail verificata su grachten.eu
Carlos Eduardo Cancino-ChacónJohannes Kepler University LinzEmail verificata su jku.at
Elias PampalkNuance CommunicationsEmail verificata su nuance.com
Richard ParncuttProfessor of Systematic Musicology, University of Graz, AustriaEmail verificata su uni-graz.at
Emilios CambouropoulosProfessor in Music Informatics, Aristotle University of ThessalonikiEmail verificata su mus.auth.gr
Cynthia C. S. LiemAssociate Professor, Multimedia Computing Group, Delft University of TechnologyEmail verificata su tudelft.nl
Patricia SantosUniversitat Pompeu FabraEmail verificata su upf.edu
Ichiro FujinagaProfessor, Music Technology Area, Schulich School of Music, McGill UniversityEmail verificata su mcgill.ca
Aggelos GkiokasAthena Research Center / TechnAI: Technology Culture and SocietyEmail verificata su athenarc.gr
Anders FribergKTH Royal Institute of TechnologyEmail verificata su kth.se
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaEmail verificata su dei.unipd.it
Wilfried KauselProfessor of Musical Acoustics, Univ. of Music and perf. Arts ViennaEmail verificata su mdw.ac.at
Emery SchubertUniversity of New South WalesEmail verificata su unsw.edu.au

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Werner Goebl

Professor, Head of Department of Music Acoustics, mdw – University of Music and Performing Arts

Email verificata su mdw.ac.at - Home page

Performance Science Music Psychology Musical Acoustics Music Acoustics Digital Musicology


Titolo Ordina per citazioni Ordina per anno Ordina per titolo	Citata da Citata da	Anno
Synchronization of timing and motion among performing musicians W Goebl, C Palmer Music Perception 26 (5), 427-438, 2009	388	2009
Computational models of expressive music performance: The state of the art G Widmer, W Goebl Journal of new music research 33 (3), 203-216, 2004	315	2004
Tactile feedback and timing accuracy in piano performance W Goebl, C Palmer Experimental Brain Research 186, 471-479, 2008	177	2008
In search of the Horowitz factor G Widmer, S Dixon, W Goebl, E Pampalk, A Tobudic AI Magazine 24 (3), 111-111, 2003	164	2003
Melody lead in piano performance: Expressive device or artifact? W Goebl The Journal of the Acoustical Society of America 110 (1), 563-572, 2001	156	2001
Visualizing expressive performance in tempo-loudness space J Langner, W Goebl Computer Music Journal 27 (4), 69-83, 2003	128	2003
Temporal Control and Hand Movement Efficiency in Skilled Music Performance W Goebl, C Palmer PLOS ONE 8 (1), e50901, 2013	105	2013
The performance worm: Real time visualisation of expression based on Langner’s tempo-loudness animation S Dixon, W Goebl, G Widmer Proceedings of the International Computer Music Conference (ICMC 2002), 361–364, 2002	95	2002
Sense in expressive music performance: Data acquisition, computational studies, and models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Sound to sense-sense to sound: A state of the art in sound and music …, 2008	80	2008
Touch and temporal behavior of grand piano actions W Goebl, R Bresin, A Galembo The Journal of the Acoustical Society of America 118 (2), 1154-1165, 2005	76	2005
When they listen and when they watch: Pianists’ use of nonverbal audio and visual cues during duet performance L Bishop, W Goebl Musicae Scientiae, 2015	75	2015
Perceptual smoothness of tempo in expressively performed music S Dixon, W Goebl, E Cambouropoulos Music Perception 23 (3), 195-214, 2006	69	2006
Measurement and reproduction accuracy of computer-controlled grand pianos W Goebl, R Bresin The Journal of the Acoustical Society of America 114 (4), 2273-2283, 2003	68	2003
Piano R Parncutt, W Goebl	60	2022
Perception of touch quality in piano tones W Goebl, R Bresin, I Fujinaga Journal of the Acoustical Society of America 136 (5), 2839-2850, 2014	56	2014
Computational models of expressive music performance: A comprehensive and critical review CE Cancino-Chacón, M Grachten, W Goebl, G Widmer Frontiers in Digital Humanities 5, 25, 2018	55	2018
Beating Time: How ensemble musicians’ cueing gestures communicate beat position and tempo L Bishop, W Goebl Psychology of Music 46 (1), 84–106, 2017	53	2017
The Magaloff project: An interim report S Flossmann, W Goebl, M Grachten, B Niedermayer, G Widmer Journal of New Music Research 39 (4), 363-377, 2010	52	2010
Once again: The perception of piano touch and tone. Can touch audibly change piano sound independently of intensity W Goebl, R Bresin, A Galembo Proceedings of the International Symposium on Musical Acoustics, 332-335, 2004	51	2004
Visualizing changes in the structure of data for exploratory feature selection E Pampalk, W Goebl, G Widmer Proceedings of the ninth ACM SIGKDD international conference on Knowledge …, 2003	48	2003

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