Federico Avanzini

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Michele GeronazzoAssociate Professor, University of PadovaEmail verificata su unipd.it
Davide RocchessoFull Professor. Università degli Studi di PalermoEmail verificata su unipa.it
Simone SpagnolIuav University of VeniceEmail verificata su iuav.it
Stefania SerafinAalborg UniversityEmail verificata su create.aau.dk
Luca Andrea LudovicoLaboratory of Music Informatics (LIM), Department of Computer Science, University of MilanEmail verificata su unimi.it
Federico FontanaAssociate Professor, University of Udine - ItalyEmail verificata su uniud.it
Adriano BaratèUniversità degli Studi di MilanoEmail verificata su di.unimi.it
Stefano PapettiZurich University of the ArtsEmail verificata su zhdk.ch
Amalia de GötzenAssociate professor Aalborg University CopenhagenEmail verificata su create.aau.dk
Stavros NtalampirasAssociate Professor, Università degli Studi di MilanoEmail verificata su unimi.it
Giorgio PrestiPostdoc, Università degli Studi di MilanoEmail verificata su unimi.it
Antonio RodàUniversity of PadovaEmail verificata su dei.unipd.it
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaEmail verificata su dei.unipd.it
carlo drioliUniversità di UdineEmail verificata su uniud.it
Giulio RosatiFull Professor of Machine Mechanics and Industrial Robotics, University of Padova, ItalyEmail verificata su unipd.it
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityEmail verificata su create.aau.dk
Frank PollickProfessor of Psychology, University of GlasgowEmail verificata su glasgow.ac.uk
Maarten van WalstijnQueen's University BelfastEmail verificata su qub.ac.uk
Federico SimonettaGran Sasso Science InstituteEmail verificata su iccmu.es
Sergio CanazzaDept. Information Engineering, University of Padova (Italy)Email verificata su dei.unipd.it

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Federico Avanzini

Full Professor, University of Milano

Email verificata su di.unimi.it - Home page

Sound and Music Computing Sound modeling Multimodal interaction


Titolo Ordina per citazioni Ordina per anno Ordina per titolo	Citata da Citata da	Anno
Mobile virtual reality for musical genre learning in primary education E Degli Innocenti, M Geronazzo, D Vescovi, R Nordahl, S Serafin, ... Computers & Education 139, 102-117, 2019	115	2019
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198, 339-352, 2009	115	2009
Modeling collision sounds: Non-linear contact force F Avanzini, D Rocchesso Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), 61-66, 2001	97	2001
On the relation between pinna reflection patterns and head-related transfer function features S Spagnol, M Geronazzo, F Avanzini IEEE transactions on audio, speech, and language processing 21 (3), 508-519, 2012	96	2012
Interactive simulation of rigid body interaction with friction-induced sound generation F Avanzini, S Serafin, D Rocchesso IEEE transactions on speech and audio processing 13 (5), 1073-1081, 2005	94	2005
On the role of auditory feedback in robot-assisted movement training after stroke: review of the literature G Rosati, A Rodà, F Avanzini, S Masiero Computational intelligence and neuroscience 2013, 11-11, 2013	85	2013
Controlling material properties in physical models of sounding objects F Avanzini, D Rocchesso ICMC, 2001	83	2001
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	82	2011
Modelling the mechanical response of the reed-mouthpiece-lip system of a clarinet. Part I. A one-dimensional distributed model F Avanzini, M Van Walstijn Acta Acustica united with Acustica 90 (3), 537-547, 2004	78	2004
Effect of task-related continuous auditory feedback during learning of tracking motion exercises G Rosati, F Oscari, S Spagnol, F Avanzini, S Masiero Journal of neuroengineering and rehabilitation 9 (1), 1-13, 2012	66	2012
Physically informed signal processing methods for piano sound synthesis: a research overview B Bank, F Avanzini, G Borin, G De Poli, F Fontana, D Rocchesso EURASIP Journal on Advances in Signal Processing 2003 (10), 1-12, 2003	63	2003
Interactive spatial sonification for non-visual exploration of virtual maps M Geronazzo, A Bedin, L Brayda, C Campus, F Avanzini International Journal of Human-Computer Studies 85, 4-15, 2016	62	2016
Haptic-auditory rendering and perception of contact stiffness F Avanzini, P Crosato Haptic and Audio Interaction Design: First International Workshop, HAID 2006 …, 2006	60	2006
Multimodal music information processing and retrieval: Survey and future challenges F Simonetta, S Ntalampiras, F Avanzini 2019 international workshop on multilayer music representation and …, 2019	55	2019
Estimation and modeling of pinna-related transfer functions M Geronazzo, S Spagnol, F Avanzini Proc. of the 13th Int. Conference on Digital Audio Effects (DAFx-10), 6-10, 2010	51	2010
Enhancing vertical localization with image-guided selection of non-individual head-related transfer functions M Geronazzo, S Spagnol, A Bedin, F Avanzini 2014 IEEE International Conference on Acoustics, Speech and Signal …, 2014	48	2014
A modular physically based approach to the sound synthesis of membrane percussion instruments F Avanzini, R Marogna IEEE transactions on audio, speech, and language processing 18 (4), 891-902, 2009	48	2009
Integrating physically based sound models in a multimodal rendering architecture F Avanzini, P Crosato Computer Animation and Virtual Worlds 17 (3‐4), 411-419, 2006	47	2006
Modeling interactions between rubbed dry surfaces using an elasto-plastic friction model F Avanzini, S Serafin, D Rocchesso Proc. DAFX, 2002	47	2002
Substituting auditory for visual feedback to adapt to altered dynamic and kinematic environments during reaching F Oscari, R Secoli, F Avanzini, G Rosati, DJ Reinkensmeyer Experimental Brain Research 221, 33-41, 2012	45	2012

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