Ian Cross

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Robert WestUniversity College LondonAdresse e-mail validée de ucl.ac.uk
Peter HowellProfessor of Experimental Psychology, University College LondonAdresse e-mail validée de ucl.ac.uk
Tal-Chen RabinowitchSchool of Creative Arts Therapies, Faculty of Social Welfare & Health Sciences, University of HaifaAdresse e-mail validée de univ.haifa.ac.il
Martin RohrmeierAssociate Professor of Digital Musicology, École Polytechnique Fédérale de LausanneAdresse e-mail validée de epfl.ch
Brian C J MooreProfessor of Auditory Perception, University of CambridgeAdresse e-mail validée de cam.ac.uk
J. WoodhouseCambridge University Engineering DepartmentAdresse e-mail validée de cam.ac.uk
Matthew H. WoolhouseAssociate Professor of Music, McMaster UniversityAdresse e-mail validée de mcmaster.ca
Professor Susan HallamInstitute of Education, University College LondonAdresse e-mail validée de ucl.ac.uk
Sarah HawkinsUniversity of CambridgeAdresse e-mail validée de cam.ac.uk
Alan BlackwellProfessor of Interdisciplinary Design, University of CambridgeAdresse e-mail validée de cam.ac.uk
Katie Rose M SanfilippoGoldsmiths, University of LondonAdresse e-mail validée de gold.ac.uk
Patrick RebuschatProfessor, Lancaster UniversityAdresse e-mail validée de lancaster.ac.uk
Victoria CorneliusImperial College LondonAdresse e-mail validée de imperial.ac.uk
Paul RamchandaniUniversity of CambridgeAdresse e-mail validée de cam.ac.uk
Lauren StewartProfessor in School of Psychology, Roehampton UniversityAdresse e-mail validée de roehampton.ac.uk
Neta SpiroCentre for Performance Science, Royal College of Music | Imperial College LondonAdresse e-mail validée de rcm.ac.uk
Emmanuel Stamatakisuniversity of SydneyAdresse e-mail validée de sydney.edu.au
John HawkinsLinguistics, University of California DavisAdresse e-mail validée de ucdavis.edu
Justin LondonProfessor of Music and Cognitive Science, Carleton CollegeAdresse e-mail validée de carleton.edu
Peter M. C. HarrisonUniversity of CambridgeAdresse e-mail validée de cam.ac.uk

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Ian Cross

University of Cambridge

Adresse e-mail validée de cam.ac.uk - Page d'accueil

music & science


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
Music, cognition, culture, and evolution I Cross Annals of the New York Academy of sciences 930 (1), 28-42, 2001	772	2001
Oxford handbook of music psychology S Hallam, I Cross, M Thaut Oxford University Press, 2009	680	2009
Long-term musical group interaction has a positive influence on empathy in children TC Rabinowitch, I Cross, P Burnard Psychology of music 41 (4), 484-498, 2013	582	2013
The evolution of music: Theories, definitions and the nature of the evidence C Ian, I Morley Oxford University Press, 2010	454	2010
Music and meaning, ambiguity and evolution I Cross Musical communication, 27-43, 2005	307	2005
Music and biocultural evolution I Cross The cultural study of music, 17-27, 2012	298	2012
Is music the most important thing we ever did? Music, development and evolution I Cross Suk Won Yi (Ed.): Music, Mind and Science, Seoul (Seoul National University …, 1999	269	1999
Music and communication in music psychology I Cross Psychology of music 42 (6), 809-819, 2014	252	2014
The evolutionary nature of musical meaning I Cross Musicae scientiae 13 (2_suppl), 179-200, 2009	234	2009
Music as a communicative medium I Cross, GE Woodruff The prehistory of language 1, 113-144, 2009	208	2009
Language and music as cognitive systems P Rebuschat, M Rohrmeier, JA Hawkins, I Cross OUP Oxford, 2011	202*	2011
Music, mind and evolution I Cross Psychology of music 29 (1), 95-102, 2001	202	2001
Musicality and the human capacity for culture I Cross Musicae Scientiae 12 (1_suppl), 147-167, 2008	201	2008
Musical schemata in real-time listening to a piece of music I Deliège, M Mélen, D Stammers, I Cross Music Perception 14 (2), 117-159, 1996	185	1996
Musical structure and cognition P Howell, I Cross, R West Academic Press, 1985	177	1985
Empathy and creativity in group musical practices: Towards a concept of empathic creativity I Cross, F Laurence, TC Rabinowitch na, 2012	159	2012
Music and cognitive evolution I Cross	154	2007
The nature of music and its evolution I Cross The Oxford handbook of music psychology 2, 3-18, 2009	152	2009
Statistical properties of tonal harmony in Bach’s chorales M Rohrmeier, I Cross Proceedings of the 10th international conference on music perception and …, 2008	137	2008
Music and meaning I Cross, E Tolbert The Oxford handbook of music psychology, 24-34, 2009	135	2009

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